

Wood with a higher density, like Mangrove Wood or Riverwood usually does not have much buoyancy and stays on the ground from day one. These woods need to be pre-soaked so they can absorb sufficient water to keep them down later on in the aquarium, or you can weigh them down with pieces of stone. Wood with a low density, like Red Moorwood or Talawa Wood tend to float in the beginning. There are different kinds of driftwood that are suitable for aquascaping. Frodo Stone, greyish brown rock with deep grooves.
Frodo stone aquascape skin#

Rocksīasically we discern between rocks that are neutral in water and rocks that slightly harden the water. We carry a vast array of different rocks and pieces of driftwood, and we'd like to present them to you in detail in the following. When planning and setting up a layout aquascapers pay great attention to especially beautiful material (for example with an interesting texture or form). This is especially true for rock landscapes in the Japanese style (aka Iwagumi). In aquascaping, the hardscape is used as decoration, and it is valued at least as highly as the aquatic plants used in such a layout. As counterparts, aquatic plants, as they are basically the soft elements in an aquascape, are called "softscape". I hope I made some sense and just know that it's already gorgeous! It'll just get better with time.The term "hardscape" in the Nature Aquarium and in aquascaping describes all natural decorative materials like for example driftwood or rocks. My suggestion would be to pull the three crypts on the right to the base of that vertical piece of wood where you've got a nook. It's tempting to spread our plants around trying to cover as much ground as possible (especially at the beginning), but visually, a large group will create a focal point which, IMO, your foreground plants are lacking. Plant-wise, I'd only suggest you group those crypts a bit more. In that scenario, the smaller stones would have to be placed parallel to either one of the large ones in order to create some harmony. You can also draw two "clashing" lines using the two large stones in order to create a single focal point in the top third of the tank, ideally around 1/3 of the length (so, around the tip of the tallest one now). The simplest way to achieve this is to orient all of your pieces so that the texture runs in only one direction (bottom-left to top-right if you're trying to minimize movement now). Lookin great! My only advice regarding hardscape would be to use the direction of the dragon stone a bit more deliberately.
